State of Exception


The semiotics–the poetry–of the phrase “9/11” increasingly strikes me. For one, it removes the year from the date, which puts it in a continual, circular temporarily (there is always a recent and an upcoming September) rather than a linear annual one (by now 2001 seems so far away to my students!). The effect is that we are in constant state of 9/11-ness and always will be, rather than being able to see it as a moment, in the past, that we can move beyond.  This is my understanding, and probably one of the most useful ways into, what many people mean by the state of exception.

State of Exception
This image is taken from the exhibition State of Exception, a collaboration between artist Richard Barnes and anthropologist Jason De Leon. Through objects found in the desert, the project explores the experience of crossing the U.S./mexico border illegally.
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